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The 90s jam band style fusion created a completely eclectic sound that continues to enthrall fans from all corners of the music spectrum.
Their music is on par with Béla Fleck and Ben Harper, two acts that often accompany them on a bill.
So, all of a sudden, it was goodbye to Lillywhite and Charlottesville, hello big white bird, Hollywood and Conway Studios. But not before Matthews had time to grab his barely used electric guitar.
hit store shelves on schedule at the end of February.
Perhaps that's just a byproduct of maturation, but Everyday feels like forced maturation, a record that suppresses the group's best attributes in favor of a moderate, self-consciously classy stab at adult pop.
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That's because, mid-production, the band met noted L.
A.-based producer and self-described “studio rat” Glen Ballard — known for such smashes as Wilson Phillips' self-titled release, Alanis Morissette's monstrously popular J, as well as for penning tunes for the likes of Michael Jackson, Quincy Jones, Brian Setzer and Aerosmith.